Sarah Davachi and Ariel Kalma blend their strong individual personalities in a single trip on the edge of time. On a magic carpet, they fly beyond the stratosphere as two new Krishna and Radha, retracing the intra-dimensional strata of the universe, temporal memories of broader and occult evolutionary processes. Their kosmiche music is pure, magnificent and elegant, an intergalactic hypnosis that seems to tell of distant times, a millenary vortex of a lost Era.
The mysterious song of the sax winds in archaic echoes, supported by the electronic inlays of the synth (Arp Odissey). Flowing between space rumbles and astral progressions, we see high celestial bodies. When the infinite drones of the tampura start, we take part in the night ceremonial, surrounded by the deep harmonium and the Tibetan bell chimes. This music releases a sort of mythological warmth, secret codes of a lost purity, which lets us dwell in the labyrinths of a pyramid or in the sacred space of a cosmic pagoda.
by FolkBottom Andrea
Interview with Ariel Kalma about Intemporel in The Psychedelic Baby Mag
“Using music and repetitive patterns to quiet the mind, induce Dreamtime and induce Visions” - More
Review by Soundohm
If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate.